Trouble viewing this email? View this email on the Web. Ensure delivery of our emails to your inbox by adding our
"From" address (museum@umontana.edu) to your address book, contact list or safe list.

THE UNIVERSITY OF MONTANA | MISSOULA
Montana Museum of Art & Culture Newsletter Masthead, Detail of photograph by Donald Cooney, Detail- Abandoned Railroad Overpass, March 2006, 6.5
Now on View

Three Major Art Loans

Egon Schiele, Herbstsonne (Autumn Sun), 1914, oil on canvas, 39 3/8

Egon Schiele (1890-1918), Herbstsonne (Autumn Sun), 1914, oil on canvas, 39 3/8" x 47 1/2"

 

Anselm Kiefer, Descent of the Soul, 1996, Mixed media on canvas, 74 3/4

Anselm Kiefer (b. 1945), Descent of the Soul, 1996, mixed media on canvas, 74 3/4" x 110 1/4"

Now on view in the
President's Office Lobby, University Hall
The University of Montana
Hours: Mon.-Fri. 8am-5pm (closed holidays)

Egon Schiele, Herbstsonne, 1914
August 14 - November 8, 2006

Herbstsonne (Autumn Sun) is one of Schiele's most important paintings and among the finest of his landscapes. Last seen by the public in 1942 at a Nazi auction, the painting was thought to be destroyed. In 2005, Herbstsonne was restored to its heirs.

Anselm Kiefer, Descent of the Soul, 1996
August 14 - November 28, 2006

Known for his highly textural landscapes, Kiefer, a neo-expressionist artist, addresses themes of German history and identity, mysticism, theology, occult knowledge, and architecture associated with Nazi imperialism. Descent of the Soul is one of Kiefer's most important works has not been seen in public since 1996.

Also on view until September 25, 2006, Egon Schiele, Young Girl Seated, Half Nude (Valerie Neuzil), 1913

These loans to Montana Museum of Art & Culture were made possible by two generous anonymous collectors.

NOW ON VIEW............

Rephotographing Atget:
Christopher Rauschenberg

Eugene Atget, Saint Cloud, photograph, 1924, Christopher Rauschenberg, Saint Cloud, 1998, photograph, both images 10

Left: Eugéne Atget, Saint Cloud, 1924, photograph, 10" x 8", Right: Christopher Rauschenberg, Saint-Cloud, 1998, photograph, 10" x 8"

August 29 - October 28, 2006
Paxson Gallery
Opening Reception, Thursday, September 7,
5-7pm

Christopher Rauschenberg Lecture , Thursday, October 19, 7pm, Meloy Gallery

In this exhibition, photographer Christopher Rauschenberg revisits 500 locations in Paris originally photographed nearly 100 years earlier by Eugéne Atget. The resulting work pays homage to Atget and serves as a commentary on photography as history and art.

Special thanks to Dr. Janet G. House, Dr. Edwin W. House and the Alliance Francaise for their generous support.


NOW ON VIEW............. Changing Currents:
Watershed Stories

Donald Cooney, Detail-Abandoned Railroad Overpass, March 2006, digital photograph, 6.5

Donald Cooney, Detail- Abandoned Railroad Overpass, March 2006, Digital photograph, 6.5" x 9.5"

August 29 - October 28, 2006
Meloy Gallery
Opening Reception, Thursday, September 7, 5-7pm

This regional non-juried photography exhibition features a broad cross-section of images of the Clark Fork, Blackfoot, and Silverbow watersheds. A response to the upcoming removal of the Milltown Dam, the public of all ages and abilities was invited to document life within these affected watersheds.

Artwork from Boys & Girls Club third graders who attended the MMAC cyanotype workshop, historic photographs of Milltown and Bonner from the Demmons Collection, and illustrations by Také Uda, from the Great Falls Tribune, explaining the Milltown Dam removal, will also be on view.

 
HIDDEN TREASURE................... From the Permanent Collection

Unknown Artist, Le Joueur de Cornemuse, The Bagpipe Player, 18th Century Tapestry, 9'7

Unknown artist, Le Joueur de Cornemuse (The Bagpipe Player), Brussels Tapestry after David Teniers II, First half of the 18th Century, 9' 8" x 8' 8". Donated by Josephine Bay.

Unknown artist, Le Joueur de Cornemuse (The Bagpipe Player), Brussels Tapestry after David Teniers II, First Half of the 18th Century, 9' 8" x 8' 8". Donated by Josephine Bay.

The Bagpipe Player Tapestry was created after a design by David Teniers II. The Teniers designs were shared among many weavers. This tapestry belongs to a class of Teniers tapestries referred to as "fin Teniers" because of the high quality of the design, modeled closely to the original paintings, and the superior execution characterized by a large range of colors. Teniers tapestries were extremely popular in the late 17th and early 18th centuries, with workshops producing large numbers of weavings.


YOU'RE IMPORTANT TO US
Thanks to the support of our wonderful donors, MMAC serves as a center of interdisciplinary learning and visual exploration for The University of Montana and Montana communities. The Museum relies on the support of individuals and welcomes gifts at all levels. If you have questions about making a gift, please contact Barbara Koostra at 406.243.2019 or museum@umontana.edu, or Ric Thomas at 406.243.5615 or email ric.thomas@mso.umt.edu.

MONTANA MUSEUM OF ART & CULTURE
Meloy and Paxson Galleries
UM PARTV Building

Gallery Hours: Wed.-Sat. 11am-3pm
FREE PARKING available near NW corner of PARTV building
406.243.2019 | www.umt.edu/montanamuseum

© Montana Museum of Art & Culture. All Rights Reserved. Spectral Fusion Designs.