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THE UNIVERSITY OF MONTANA | MISSOULA
MMAC Newsletter 12 Masthead Detail of Bill Lamont, Time: to the Sea, digital photograph, 8
Now on View

Changing Currents:
Watershed Stories

Detail: Bill Lamont, Time/ To the Sea, digital photograph, 8

Detail: Bill Lamont, Time-To the Sea, 2005, color photograph, 8" x 10"

August 29 - October 28, 2006
Meloy Gallery

This regional non-juried photography exhibition features a broad cross-section of images of the Clark Fork, Blackfoot, and Silverbow watersheds. A response to the upcoming removal of the Milltown Dam, the public of all ages and abilities was invited to document life within these affected watersheds.

Artwork from Boys & Girls Club third graders who attended the MMAC cyanotype workshop, historic photographs of Milltown and Bonner from the Demmons Collection, and illustrations by Také Uda, from the Great Falls Tribune, explaining the Milltown Dam removal, will also be on view.


Now on View
Rephotographing Atget:
Christopher Rauschenberg

Eugene Atget, Grand Trianon, 1923-24, Black and White Photograph, 8

Eugène Atget, Grand Trianon, 1923-24, b&w photograph, 8" x 10"

August 29 - October 28, 2006
Paxson Gallery

SPECIAL PRESENTATION:
Christopher Rauschenberg Lecture, Thursday, October 19, 7pm, Meloy Gallery

In this exhibition, photographer Christopher Rauschenberg revisits 500 locations in Paris originally photographed nearly 100 years earlier by Eugène Atget. The resulting work pays homage to Atget and serves as a commentary on photography as history and art.

Special thanks to Dr. Janet G. House, Dr. Edwin W. House and the Alliance Francaise for their generous support.


HIDDEN TREASURE.........
From the Permanent Collection

Unknown artist, Aboriginal Bark Painting from Arnhem Land, Australia, n.d.

Unknown artist, Aboriginal Bark Painting from Arnhem Land, Australia, n.d.

Unknown Artist, Aboriginal Bark Painting from Arnhem Land, Australia, n.d.

Bark painting by Australian Aboriginal people is a long tradition and the most well known Aboriginal art form. Bark painting is an important part of the culture of Arnhem Land's original inhabitants since this was the only area where suitable bark was available.

The paintings tell stories that express mythology related to Aborigines. The paintings were also forms by which preliterate people kept a record of their daily life and religious beliefs. Many of the depictions are based on ancestors' dreams which date back to the creation of the world.




ALSO ON VIEW.........

Original Artwork by Egon Schiele and Anselm Kiefer

Egon Schiele, Herbstsonne, 1914, oil on canvas, 39 3/8

Egon Schiele, Herbstsonne (Autumn Sun), 1914, oil on canvas, 39 3/8" x 47 1/2"

Anselm Kiefer, Descent of the Soul, 1996, mixed media on canvas, 74 3/4

Anselm Kiefer, Descent of the Soul, 1996, mixed media on canvas, 74 3/4" x 110 1/4"

Now on view
President's Office Lobby, University Hall
The University of Montana
Hours: Monday - Friday, 8am - 5pm
(closed holidays)

Egon Schiele, Herbstsonne (Autumn Sun), 1914
August 14 - November 8, 2006

Austrian Modernist Egon Schiele (1890-1918), primarily known for his portraits of women and self portraits, also painted Expressionist landscapes. Herbstsonne (Autumn Sun) is one of Schiele's most important paintings and among the finest of his landscapes. The painting, purchased by Schiele's friend, Karl Grünwald, was confiscated by the Nazis during World War II. The painting has not been seen in public since it was sold at auction in 1942.

 

Anselm Kiefer, Descent of the Soul, 1996
August 14 - November 28, 2006

German Postmodernist, Anselm Kiefer (b.1945) is known for his highly textural, looming landscapes. Kiefer uses diverse materials such as oil, tar, hay and seeds to address themes of German history and identity, mysticism, theology, occult knowledge and the neo-classical architecture associated with Nazi imperialism. Painted and last seen in 1996, Descent of the Soul, with its cosmic iconography and imagery that touches on man's brief existence is one of Kiefer's most important works.


COMMUNITY OUTREACH.........
UM Open House for the Visual Arts

Photo of Open House Cake

Photo of two visitors at Open House looking at exhibit

Images: Top: MMAC Open House Cake; Bottom: Two visitors to the Open House for the Visual Arts looking at the Watershed Stories Exhibit

The UM Art Collaborative's
First Inaugral
UM Open House for the Visual Arts

The UM Art Collaborative's inagaural Open House for the Visual Arts, on October 12, was a great success. A big thank you to our many visitors. This special homecoming event included all three visual art venues on The University of Montana's campus; the Gallery of Visual Arts in the Social Science Building, the Montana Museum of Art & Culture with its galleries in the PARTV Center, and the UC Gallery in the University Center.


THANK YOU .........
MMAC Advisory Board

The MMAC Advisory Board met on October 11, 2006 to strategize on the museum's programming and future.

Advisory Meeting Photo

Left to Right: MMAC Advisory Board Members Ray Steele, Lisette Carter, Suzanne Crocker, Nikki Sliter; Artwork by Ye Liang, The Thesis Committee, oil on canvas, n.d., part of MMAC's Permanent Collection

Advisory Meeting Photo

Left to Right: MMAC Advisory Board Members Bob Chaney, Kitte Robins, Sheila Callahan

A big thank you to the MMAC Advisory Board for their support and enthusiasm towards the arts in Montana. Advisory Board members live throughout the state and country. Members are Sheila Callahan, Lisette Carter, Dr. Robert Chaney, Suzanne Crocker, Earl Morgenroth, Nancy Feilds O'Connor, Ginger Renner, Kitte Robins, Nikki Sliter, and Ray Steele. Many thanks to each and every one of them for all they do to support MMAC.


YOU'RE IMPORTANT TO US

Thanks to the support of our wonderful donors, MMAC serves as a center of interdisciplinary learning and visual exploration for The University of Montana and Montana communities. The Museum relies on the support of individuals and welcomes gifts at all levels. If you have questions about making a gift, please contact Barbara Koostra at 406.243.2019 or museum@umontana.edu, or Ric Thomas at 406.243.5615 or email ric.thomas@mso.umt.edu.

MMAC and its programming is also supported by the Montana Arts Council, a state agency funded by the State of Montana, National Endowment for the Arts, National Park Service, Montana Committee for the Humanities, Chutney Foundation, and Grizzly Riders International.

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MONTANA MUSEUM OF ART & CULTURE
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