From the Rattlesnake Valley Press Centennial Issue, 1989
by Margaret Mudd
Pollock, whose own talent received early nurturing from sensitive parents, finds being an artist in Montana a challenge because it seems "a little harder to be aware of historical and contemporary works... " but at the same time he values the "greater degree of independent creativity" physical distance from metropolitan centers provides. He has enjoyed working on the Rattlesnake Valley Press Centennial Portfolio, and he is one of two artist's who actually printed his own work.
Pollock's Portfolio print underscores his current subject matter: plants and flowers. These are used to present relationships between formal and informal elements: "the plants in my work are the informal component and the patterns, borders and weaves are the formal components." The intense colors in this four-color lithograph are held in a delicate balance as they blend to create a unity which echoes the resolution of relationships between plant and pattern. In Pollock's own words in American Artist in 1985, "The result is a 'mental reality' that could not totally exist in a physical world by itself." Studying his print, one understands Pollock's claim that he is really neither a painter nor a printmaker, but an "image-maker."
